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Speech given at the 57th annual Nebula Awards, in acceptance of the Kate Wilhelm Solstice Award on behalf of Petra Mayer, presented by Amal El-Mohtar

(The ceremony can be viewed here)

Thank you, Amal. What a wonderful tribute.

This can only be a pale shadow of the speech Petra would have given you. She looked forward to the Nebulas every year, and she loved coming here and hanging out with her favourite bunch of people (and discovering new favourites with each passing year). I wish she were here to speak to you herself. There’s no substitute for her voice.

When you lose someone you love, sometimes you raise your head from the grief and shock, look out the window and think “why hasn’t the world stopped?” And you wish for a moment that everyone had known how amazing this person was.

So sinking into the abyss of Twitter in the aftermath of Petra’s tragic, sudden, early death, the consolation I found was that in her case, people did know. Even people who’d only heard her voice on the radio had a sense of her personality, and the authors and journalists and people from the book world among whom she’d lived and worked were dealing with their grief by raising her a cairn of words as only they could. So to everyone who felt Petra’s loss and wrote something, even a few words, at that terrible time, thank you. It helped.

It’s hard to think of Petra being gone. Petra was a force of nature, a tsunami of enthusiasms and brightly coloured plastic jewellery and baked goods and Doctor Who and Art Nouveau roses and Buster Keaton movies and elaborate costumes and loud singing and creative swearing and you could almost forget that you were in the presence of the doyenne of NPR Books, Petra Mayer of the razor-sharp mind and keen editorial eye, marshal to an army of reviewers and voice heard by millions for all her years on the airwaves.

Critics, especially in national media outlets, are to some extent gatekeepers; and editors even more so. But Petra was a gatekeeper who flung wide the gates, and would have ripped them off their hinges if she could. From the beginning, she sought out not just the authors she knew and loved, but the overlooked and the underpromoted. She sought out the work of authors and critics from marginalised groups— she couldn’t bear the thought of institutional bias robbing us of those stories, those voices. She widened her mandate to include not just SF and fantasy, but comics, horror, mystery and romance. And if she couldn’t fit in a review of your book, or if she read it after publication, it still might turn up in one of her Best Of lists or reader polls, or in the great work that drove her to distraction every year: the Book Concierge (now renamed Books We Love).

Whether you were an author or a reviewer, Petra was the person you always hoped would read your work. Petra had the book journalist’s talent for speed reading— she devoured books. But she savoured each one, and each particular blend of flavours would remain in her amazingly retentive memory.

As a reviewer, you would send Petra your work and it would come back better and clearer. She would discern your meaning through the layers of obfuscation and overthinking, and she would knock away your excess verbiage like the stone obscuring Excalibur.

Everyone here knows the hazards of making a profession of something you love— but in Petra’s case, that love never wavered. The world of American letters was lucky to have her— and she would have been even more of a presence had she lived to old age— but if she were here accepting this award right now, I know she’d say she was the lucky one. How many teenage nerds grow up to work with their icons? and to be admired by them? She loved every moment. She loved your work, and she loved you.

So, Petra would want me to thank all of you for this award tonight. She would want to thank Jeffee, Kate and the Nebula board. She would want to thank National Public Radio, all of her colleagues at NPR Books, and each and every one of her reviewers. She would give heartfelt thanks to her family, especially her parents, Elke and Jeff, and her longtime platonic life-partner Josh Drobina.

On behalf of the journalist, editor, reader, writer, and force eleven nerdicane that was Petra Mayer, I know she’d be overjoyed to accept this award. She would have longed to party with you afterward, but be assured that wherever you gather, she will be there in spirit. Thank you all.
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If you are called on to give a speech at the Nebula Awards, don't forget to:

-- notice at the last moment that the cat is sitting in front of the carefully positioned photo of your deceased friend

-- shoo the cat off the windowsill, knocking over the TARDIS mug

--set everything up again in the few seconds before you go live

--start giving the speech you were still editing 5 minutes ago

--forget to introduce yourself

--panic and cut the first paragraph as being too self-indulgent

--realise that the second paragraph doesn't make sense without the first

--improvise, cover your ass frantically

--somehow finish the speech

--where the hell is Petra when I need an editor/ person cooler than me/ person to get me a goddamn drink when I embarrass myself in front of the great & good of the science fiction world

--I miss you Petra
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Petra and I have been friends since around age 10. In middle school we fought a lot — largely because school was awful and we were in a continuously horrible mood for about 8 years. But by 9th, 10th and 11th grade we had settled into a friendship distinguished by public weirdness, extravagant modes of dress, sitting in the Bishops’ Garden playing guitars, singing, burning incense and eating crystallised ginger— the more fiery the better. And then, of course, there were comics.

We had this routine where we would go to Big Planet in Bethesda and buy comics, often from Jef, the nice (and extremely patient) fellow behind the counter. We’d dance up and down the aisles of colourful covers, calling to each other— have you read this? Ohmygod you HAVE to read this! I’m not letting you leave without this! Look, I’ll lend you mine, but you have to read this! (In retrospect, it’s not surprising that when Petra found her ideal career, it turned out to be, essentially, that.)

And then we would go around the corner to the Tastee Diner, order fries and chocolate milkshakes, dip the fries in the milkshakes and read the comics. In those days we read mostly indie comics, because those were sufficiently cool for us to be seen reading. We read our way through Sandman, Transmetropolitan, Preacher, Desert Peach, Finder and many other titles which are now problematic. It was only later that we discovered the joy of superheroes. As mature adults, we were ready to embrace the joys of fighting crime in colourful tights. (Anyone who’s ever read a 1980s X-Men comic will recognise a certain kinship with Petra’s fashion sense.)



We joke about how, in the X-Men and other superhero comics, death is a revolving door. But what it really is, I think, is a form of theatre. A favourite character will die so that the writer and the artist can give them that moment, and so that they can show all the other characters reacting, put those emotions on display. And then, after a certain interval, it becomes evident that you can’t really tell the story without that character, that the superhero team isn’t the same without them, and the fans are discontented— so a writer will find a way to bring them back. And that panel, the panel where you first see that character again, is always as beautiful as the artist can make it. Sometimes, if you’re really lucky, it can feel like light is emanating from the page.

And God, I wish Petra were only comics dead. Because right now, a lot of us are feeling as though the story can’t continue without her. And the various teams she was a member of are feeling distinctly less super. All our powers are dimmed and lessened in her absence. Without her, who’s going to want to read the book? What editor okayed this decision? And what kind of douchebag author would write it in the first place?

Petra didn’t really give bad reviews, but she would definitely deem this situation unworthy of inclusion in the august archive of NPR. She would read anything, but her least favourite genre was where everything is terrible for no reason.

But I wish Petra were only comics dead. Because then, in some future adventure, we might hope to see her again. Perhaps in the lair of a mad scientist— always a popular choice for resurrections (and very Petra). Or in some far-flung corner of the cosmos, or an alternate universe— someplace with a lot of Kirby dots. When we least expected it, there she’d be, and we would fall to our knees in disbelief and weep for joy.

Even if it were one of those comics where she came back as Evil Petra in a cool new costume and extravagant eyeliner, somehow convinced that she must use her unholy powers to destroy us all, we would know what to do. We would play her some Magnetic Fields or some 80s rap, or put on an episode of Bake Off, or point over there and say “Hey, is that David Tennant?” And she’d immediately forget to be evil and go “ohmygod, where?!”

And you’d get that scene which we get over and over in comics, but we still can’t get enough of: that scene where a character’s turned evil somehow and there’s a big dramatic fight scene, and then their best friend or someone who’s been on their team for a long time will grab their arm and say “This isn’t you. I know you, let me tell you…” and the character is recalled to themselves by that recollection, that voice. And that’s absolutely what a friend is and does. A friend is someone who can tell your own story back to you when you’ve forgotten it. And Petra was such a great friend to so many of us, she knew so many of our stories and carried them with her. And even though we all know we’re bit parts at best, Petra could make you feel like a protagonist.

So what we have to do for now and later on, and maybe for the rest of our lives, is: to live our stories as though Petra were reading them. Because maybe, somewhere, she is. And when we arrive where she has gone, as we all must, the last thing we’d want is to have bored her.

Meanwhile, today, we should tell the stories we have about her. Tell the funny ones, the embarrassing ones— the ones that would make her want to come back from the grave to tell us to shut up— the ones where she’s great (which is all of them). Because, as she carried parts of all our stories, so we all carry parts of hers, and we always will.



I’d like to close with a short verse by Edna St Vincent Millay, one of the few poets (I think) capable of capturing the emotion of a moment like this:

For you there is no song,
Only the shaking
Of the voice that meant to sing; the sound of the strong
Voice breaking.

Strange in my hand appears 

The pen, and yours broken.
There are ink and tears on the page; only the tears
Have spoken.

Leavetaking

Feb. 5th, 2019 10:23 pm
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Last night I helped an old friend pack up her flat. She's about the seventh friend of mine to leave the country due to Brexit.

She was one of my first friends in this country; we've known each other since the year I came here to do A levels. She's Swedish and has lived here since she was 8.

For the past few years, she lived a short bus ride away from me. I helped her build all the flat-pack furniture in her place. It was only Ikea stuff, but we chose it carefully and were ridiculously pleased with our building skills.

Last night we watched the removal guys break it all up and throw the pieces into the back of their truck.

What we built didn't have any kind of market value, but it was of value to us.

This is far from the worst of the evils wrought by Brexit, of course. Couples and families are having to choose between staying in Britain and staying together. People born in the UK are being told to "go home," or seeing their parents and older relatives lose their right to live here. And all across this country, people are having to destroy or abandon the lives and relationships and places in the world they built with care.

What they built doesn't have a market value that the Home Office can recognise. But the small, human structures they built, their ways of doing things and connecting things and making things work-- families, jobs, neighbours-- have made this country better in a way that can't be measured. When people make their homes here, things get rearranged and cared for in small ways that add up to something greater that makes life here more liveable.

That's what we're losing.

[Posted to Facebook 5 February 2019]
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The other night I found out that a friend-of-a-friend was an actual white nationalist. The tedious, grotesque, necessary process of going through their page and screenshotting all their shit left me feeling rather worn, and with a lot less patience for the hey-just-playing-devil's-advocate types.

So right now I'm feeling intensely grateful for the good people. I'm not saying this in the illusion that any of us are perfect, but you're just really... good, you know? You show up. None of us get everything right-- I certainly don't-- but you keep trying, you keep fighting, you support others and you never stop doing that work. I honour and respect that more than I can say.

We live, right now, in dark times. And yes, we fight on. But one of the ways we survive is by finding areas of shared humanity-- whether years-long relationships or mere moments. Moments of kindness are what keep us human; the world absolutely stands or falls by people being kind when they don't have to be. That shared humanity can also take other forms: a battle joined; information passed on; a corrective note well given and well accepted.

Justice and mercy. War and love. Life and art.

I wish to hell the world were in better shape right now. But as it is, I'm glad to be doing this alongside you.

(Posted to Facebook 16 December 2018)
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I haven't quite found the words to talk about Chris Bruce.

In life, when I would try to describe him to other people, they couldn't quite believe it. A stuntman, an equestrian, a swordsman, and later a a fight director and stunt coordinator; he'd worked on the original Star Wars (as a stormtrooper) and the 1970s Musketeers films (doubling, among other things, for Christopher Lee). He went out drinking with Oliver Reed (who, he said, "taught me how to fight like a bucko") and lived to tell the tale. He worked with the greatest fight directors in the business, and was never without a story to tell.

Rest well, sir )
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On Wednesday, on May Day, I stood with the company of Fulham Opera by the coffin of their Alberich, on top of which lay the Ring of the Nibelung.

"Der Ring des Nibelungen!" Robert used to say. "Not der Ring des Wotans. Not der Ring des Brünnhildes. Der Ring des fucking Nibelungen!!" And there is no doubt that Robert Presley was the best Nibelung of them all.
Funeral oration )
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A lot of death seems to be happening right now. I am in particular mourning for two.

My dear Liana passed away last night. (Of all the ways to learn this, I am kind of glad it was via [livejournal.com profile] nanashi_jones, whom I met in her company the same evening I met her. We danced, we three.)

This is a 2008 drawing of hers; her style evolved considerably since then, but I think it says all that needs saying right now:

"Black Anna" by Liana Lavoie, who died 15 April 2013. photo lianaBlackAnna.jpg

...well, actually. Here's one more. She called it "And The Stars Go With You," in memory of her aunt who signed her name with a star. I don't think she'd be displeased with it as an In Memoriam.

"And The Stars Go With You" by Liana Lavoie photo lianaandthestars.jpg

My friend Robert Presley, who died terribly suddenly last week at 55, grew up in Alabama. Every word he spoke, every filthy laugh, every ounce of attitude he evinced displayed the sheer goddamn bullheaded strength of character it took to grow up gay in Alabama in the '70s. He took no bullshit, tolerated no idiocy, and was funny as all hell.

He was an incredible singer, and I wish there were YouTube footage to link to. I saw him sing Gianni Schicchi and Wagner's Alberich-- he was hands-down the best Alberich I've ever heard, with the voice and the acting and the high notes and everything. He was also a great interpreter of Verdi. What I will miss most are the post-show conversations-- the bitchery and laughter and sheer loveliness of the man. I was looking forward to seeing him again, and so were many of the finer singers I know.

The world has lost two people who greatly adorned it by the lives they led. It feels terribly wrong that they are gone. The art Liana had yet to make, and the music Robert had yet to sing, are a bitter loss.

I don't have the composure yet for eloquent farewells. I just really wish they weren't gone.
pallas_athena: (tarot)
My friend Liana has posted that "the chemotherapy has had little to no effect and the consulting doctors have more or less agreed that hospice is the right thing to do at this time".

I am really very much not OK with this. I was hoping to see Liana again; despite living on different continents, we've managed to meet once a year or so. I was hoping to see more of her art. I was assuming she'd outlive her twenties. Fuck.

Photo and thoughts below )
pallas_athena: (tarot)
Today I would like to talk about my friend Liana, an artist who goes by the name Playful Eye. I've known her since 2006, when a random conversation at 4AM turned into a lasting friendship.

You may remember her work from various things I've done, like this poster:

Poster photo WIPflute.jpg
More beautiful images beneath the cut )
The thing about Liana is: She is currently using her resources of wit, spirit and bravery to fight off a particularly invasive cancer (esthesioneuroblastoma). In the USA, this is also a potentially financially ruinous situation, even with insurance. Recently, she posted this:

"My friends, I need your help.
I have been hospitalized with growing tumors all throughout my body. I cannot walk without assistance. My left arm is completely useless. I am being overwhelmed with too many medical bills and an insurance that is not moving quickly enough to settle my finances, and I come to you with most humility to ask for whatever monetary contribution you can give."


There's a donation website up at http://www.gofundme.com/helpliana . If you can spare a beer token or two, then please, please do go and give whatever you can. As well as being a wonderful artist, Liana is truly one of the most loveable people you could ever hope to meet, and I wish her well with all my heart.

More beauty resides over at her Flickr page.

Rehoming

Apr. 10th, 2012 11:33 pm
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I have been living in my new house for about a year now. The changes it has wrought in my life are fairly astonishing.

Having a living room which doubles as a rehearsal venue means that I'm meeting all sorts of artists. Not that I have to be super-close friends with everyone who uses the space, but it's always cool when that happens spontaneously.

My friend [livejournal.com profile] mothninja's show The White House was a particular boon; the director and the AD have both since used my place to rehearse other shows, which has been good. Some of the alumni from those are coming over on Friday for a Shakespeare reading-and-working session. That play also introduced me to a circus artist whose aerial hoop class I joined, which has been an enormously fun skill to acquire. And then she moved to LA and left a bunch of her stuff with me, which means I now have an aerials rig in my living room. Hell yeah.

All sorts of people have been using the space, but there's a core of artists now who come by regularly enough that it feels a bit like having a family. To a long-term bachelor like me, that's a fairly mindblowing concept. Obviously these things work best when one doesn't get emotionally overinvested, but I am grateful for and happy with the friends I've made. To say nothing of the dividends of the free-rehearsal-space-for-free-catsitting exchange.
CAT UPDATE within )
So... a family. At least for now. The new house sort of attracted the life that goes with it, and that life turns out to be pretty damn awesome. Obviously I could still wish for more work, but at least the downtime's not being wasted.

Inventory

May. 16th, 2011 04:19 pm
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Things I have today that I did not have before last weekend:

- Two married friends. Congratulations, [livejournal.com profile] monochrome_girl and [livejournal.com profile] evilmattikinz!

- The memory of a truly amazingly excellent wedding

- The experience of singing Tudor songs in a Tudor priory surrounded by bubbles from a bubble machine

- Some hula hoops (sparkly). Started off with 3; gave 1 to a hen party encountered on the train, which caused much joy

- Some comics

- A Tenth Doctor sketch by Mike Collins for [livejournal.com profile] speedlime

- A page of Captain Britain and MI-13 by Paul Cornell and Mike Collins

- A sketch of Nightcrawler by Alan Davis

- DUDE. A SKETCH OF NIGHTCRAWLER BY ALAN DAVIS.

- Bounce bounce bounce yaaaaaaaaay
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- Watching my friend Pete strut his stuff as an operatic dog in The Doctor's Tale at the Linbury,

- A spectacularly marvellous weekend with [livejournal.com profile] woodlandwildman, who has a way of enlivening my home whenever he's about.

- Time spent with [livejournal.com profile] lostinavebury and other fine people;

- Saturday night's White Mischief extravaganza, at which the Wildman was doing Victorian photography, Professor Maelstromme was selling shiny objects and the worthless love-slaves of Fetishman Comics mounted a fine display;

- The Dead Victorians, back from hiatus and sounding mighty fine. Likewise Professor Elemental, tip-top emcee and genuinely good soul.

- Iolanthe at Wilton's Music Hall with a splendidly talented all-male cast! I did enough G&S at university to become thorougly bored with it, and this is one of those rare productions that actually make it fun again. Do see it while it's on.
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My friend Pete was just told, by a former member of Monty Python, that he was being too silly onstage and should tone it down.

I am so proud.

Unmasking

Feb. 22nd, 2011 09:53 pm
pallas_athena: (Default)
Give me a case to put my visage in,
A visor for a visor! What care I
What curious eye doth quote deformities?
Here are the beetle brows shall blush for me.


--Romeo and Juliet, I.iv


I'm packing the masks away, carefully enshrouding each in bubble wrap. They'll sleep in a box until they can glorify the walls of the new place (and also, occasionally, lend me a better face.)

There's the first one I bought at the Maryland Renaissance Faire as a teenager, which I've worn with joy ever since. (That company is now headed by [livejournal.com profile] wildwose; I'm happy to have a few of his more recent creations.) There's the one I impulse-bought at a stall in Whitby that I then discovered bled red dye all over my face. There's the one I got in Venice with [livejournal.com profile] mothninja; the one I got in Leipzig with [livejournal.com profile] orkamedies and [livejournal.com profile] rosenkavalier; the ones [livejournal.com profile] badmagic and [livejournal.com profile] speedlime helped me decide on at DragonCon; the one I made at [livejournal.com profile] fatbuttsheep's wedding mask-making party. And the gifts: the one [livejournal.com profile] wyte_phantomgave me (with a stick), the one my Dad sent me (with feathers), and the one [livejournal.com profile] woodlandwildman presented me with on one of our explorations of Chinatown.

What I guess I'm saying here is that these masks wear the faces of my friends, and gathering them all together now makes me feel fortunate to have the best friends in the Universe. That's you.
pallas_athena: (Default)
They said, "You have a blue guitar,
You do not play things as they are."

The man replied, "Things as they are
Are changed upon the blue guitar."


--Wallace Stevens


[livejournal.com profile] speedlime recently dug out her old guitar and posted a picture. I could not put into words what I felt at the time, and so the comment I left her was mostly exclamation points. I still have difficulty finding the words for the effect the sight of that guitar had on me.
Words below )
pallas_athena: (Default)
I have easily the best news of the dawning millenium:

[livejournal.com profile] speedlime is coming to Leipzig!!!!!!!!

*happy dance*
*national holiday declared*
*ticker-tape parade*
*celebratory fireworks*
*accidental ignition of ticker-tape*
*towering inferno*
*collapse of civilisation as we know it*
*apocalypse*
...
*PARTY TIME*
pallas_athena: (Default)
[livejournal.com profile] speedlime's visit is something I look forward to every year. It's typical of her magnificent generosity of soul that she chooses to spend her birthday in London with yours truly. (And then I generally spend mine with her family in DC. The German cookies and Glühwein make it a party not to be missed.)

This year we also spent a few days in Paris. While we were there, it snowed, making the whole city look like an especially misty Monet painting. It was beautiful, but also meant that some places we wanted to see were closed. Paris deals with snow even less well than London: it's like the whole city goes Ô MON DIEU QUOI LE FOUTRE IL NEIGE NOUS DEVONS FERMER TOUTES LES CHOSES INTÉRESSANTES.

One of the these places was the Sainte-Chapelle. I'd never seen it, but Speedy recalled being entranced by the windows as a child. Since we couldn't see it during the day, we booked tickets for a concert there that evening: Baroque flourishes, including Pachelbel's Canon in D and Vivaldi's Four Seasons.
So how was the concert? )
Meanwhile, I'm heading back to the US tomorrow. See some of you (including [livejournal.com profile] speedlime) there!

Shopaganda

Nov. 12th, 2010 06:40 pm
pallas_athena: (Default)
In my mind, Christmas most emphatically doesn't start until it's actually fucking December, so I can't quite bring myself to admit that I'm Christmas shopping rather than hunting down shiny objects for friends as usual.

Still, I thought I would share with you some of the sources of things that amused me, which might perhaps further your own shopping agenda.

Firstly, webcomic people generally have class-A swag available for purchase, and John Allison is no exception. I tend to assume everyone knows and loves his T-shirts as much as [livejournal.com profile] speedlime and I do, but he also has some remarkable canvas bags, one for knitting and one for shopping. He also has several lovely posters, including one that's a particular work of genius: Aubrey Beardsley's Lady Gaga.

I also can't say enough good things about the work of Etsy seller SoCharmed. She has all sorts of loveliness in her shop, from Rococo to Baroque to Romantic to rock 'n' roll. She makes weird-ass little cameos out of things like x-rays and secret documents. Oh, and she does "libertine" necklaces paying tribute to Aphra Behn, Oscar Wilde and John Wilmot, Earl of Rochester.

While on Etsy, I'd be remiss if I didn't mention my good friend Professor Maelstromme, your source for all things gothic, steampunk and arcane. She specialises in making one-of-a-kind jewellery out of found objects, and also does a fine line in hats and fascinators. Recently she has also begun selling a few outfits made by the fantastically talented [livejournal.com profile] wyte_phantom (here and here, so far.) I must say, $255 US for a corset and bustle skirt is a total steal, so get in there while you can, ladies.

Right, I'm off to acquire one of these terribly educational sewing machine diagrams from the Regretsy shop. Otherwise I might forget which part is which, you know, and that would never do. See you later, shoppinators.

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