Tea, countertenors and song
Apr. 28th, 2008 11:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
While some were off enjoying the splendours of Whitby, I spent the weekend tending to a sick countertenor. He had planned to come over from Lübeck to rehearse some Baroque duets for a future concert, but when he arrived the poor guy promptly keeled over with sinusitis.
He needed rest, so I left him to it. Meanwhile, I was able to spend a lovely afternoon in Oxford with
monochromegirl and
evilmattikinz. La Monochrome showed us around the university's Museum of Natural History, the building that inspired her to become an architect; hearing her talk about it certainly inspired me. There may be further invasions of Oxford in the future: I myself have had a vision, a vision of GOTHS ON THE RIVER. I'll punt,
pvcdiva can serve tea,
esdi_leanne can feed the ducks and everyone else can drink and look fabulous. How about it?
Otherwise, Countertenorfriend and I spent most of the weekend cooking, chilling on the sofa watching Blackadder, exchanging massages and singing love songs. "I feel married," I thought at one point. "To someone gay. Obviously."
When his voice had recovered sufficiently, we sang through Ino and Athamas's scene from Handel's Semele and the beautiful "Pur ti miro" duet from the end of Monteverdi's Poppea. Interestingly, both pieces end on a unison note. There is nothing in the world, I think, like the sound of a woman's and a man's voice singing the same pitch together. There's something about the two different qualities of voice arriving at the same note that sends shivers the length of one's spine. Handel and Monteverdi both knew about that, and Philip Glass also uses it to great effect in his opera Akhnaten.
Meanwhile, here's the programme for what looks to be a fairly riotous concert this weekend, also starring the lovely Peter Collins (baritone) and Guy Newbury (piano):
from Semele, George Frederic Handel:
Aria (Juno): 'Awake, Saturnia... Iris, hence away!'
Recitative (Juno): 'Somnus, awake!'
Aria (Somnus): 'Leave me, loathsome light!'
Recitative (Juno): 'Dull God, canst thou attend the water's fall'
Aria (Somnus): 'More sweet is that name'
Recitative (Juno): 'My will obey'
Duet (Juno, Somnus): 'Obey my will, thy rod resign'
from die Zauberflöte, W. A. Mozart:
Aria (Sarastro): 'In diesen heil'gen Hallen'
from Cosi fan tutte, W. A. Mozart:
Duet (Dorabella, Guglielmo): 'Il core vi dono'
from L'Italiana in Algieri, Gioacchino Rossini
Aria (Isabella): 'Cruda sorte'
Duet (Isabella, Taddeo): 'Ai capricci della sorte'
For an encore, we'll be doing my own little arrangement of "Over the Hills and Far Away" from The Beggar's Opera. If I can get it written out in time, that is. Ahahahaha.
He needed rest, so I left him to it. Meanwhile, I was able to spend a lovely afternoon in Oxford with
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Otherwise, Countertenorfriend and I spent most of the weekend cooking, chilling on the sofa watching Blackadder, exchanging massages and singing love songs. "I feel married," I thought at one point. "To someone gay. Obviously."
When his voice had recovered sufficiently, we sang through Ino and Athamas's scene from Handel's Semele and the beautiful "Pur ti miro" duet from the end of Monteverdi's Poppea. Interestingly, both pieces end on a unison note. There is nothing in the world, I think, like the sound of a woman's and a man's voice singing the same pitch together. There's something about the two different qualities of voice arriving at the same note that sends shivers the length of one's spine. Handel and Monteverdi both knew about that, and Philip Glass also uses it to great effect in his opera Akhnaten.
Meanwhile, here's the programme for what looks to be a fairly riotous concert this weekend, also starring the lovely Peter Collins (baritone) and Guy Newbury (piano):
from Semele, George Frederic Handel:
Aria (Juno): 'Awake, Saturnia... Iris, hence away!'
Recitative (Juno): 'Somnus, awake!'
Aria (Somnus): 'Leave me, loathsome light!'
Recitative (Juno): 'Dull God, canst thou attend the water's fall'
Aria (Somnus): 'More sweet is that name'
Recitative (Juno): 'My will obey'
Duet (Juno, Somnus): 'Obey my will, thy rod resign'
from die Zauberflöte, W. A. Mozart:
Aria (Sarastro): 'In diesen heil'gen Hallen'
from Cosi fan tutte, W. A. Mozart:
Duet (Dorabella, Guglielmo): 'Il core vi dono'
from L'Italiana in Algieri, Gioacchino Rossini
Aria (Isabella): 'Cruda sorte'
Duet (Isabella, Taddeo): 'Ai capricci della sorte'
For an encore, we'll be doing my own little arrangement of "Over the Hills and Far Away" from The Beggar's Opera. If I can get it written out in time, that is. Ahahahaha.
no subject
on 2008-04-29 08:43 am (UTC)no subject
on 2008-04-29 11:26 am (UTC)no subject
on 2008-04-29 11:37 am (UTC)I'm delighted you're interested in this little scheme. Let's meet soon and compare notes on what the summer looks like.
no subject
on 2008-04-30 12:47 am (UTC)I have every confidence that you will be able to indulge in at least SOME version of your plans, when it is not raining --
and I highly endorse the planned chase of anthropomorphic-animal prey, having partaken with joy in the traditional Myld Hunt one spring in The Other Cambridge, for which my friend Mark acted as the Fox...
(from the listing of annual events for the Harvard-Radcliffe Science Fiction Association at http://www.hrsfa.org/info.php:
-- Wyld Hunt: HRSFA strips down and runs madly about Harvard in pursuit of a freshman stag (who gets a free HRSFA membership!). Lots of woad and howling. The Wyld Hunt takes place on a Friday or Saturday October night, preferably during a full moon. Friday or Saturday night in April, somewhere in the Radcliffe Quad.
-- Myld Hunt: A genteel version of the Wyld Hunt, in which we dress up and stroll through the Square, potentially chasing a Fox, and then play croquet. The Myld Hunt takes place on a Saturday or Sunday afternoon in April or May.)
no subject
on 2008-04-30 10:35 am (UTC)no subject
on 2008-04-30 12:45 pm (UTC)...but for the woods elsewhere? eminently reasonable--if anything, Goths should have all the more reason to KNOW to be afraid of the dark!
no subject
on 2008-04-29 05:21 pm (UTC)